LETTERS
When I started drawing letterforms, I was looking at actual, three-dimensional sign lettering salvaged from building demolitions and sold as decorations or as scrap metal. Looking at the letters as a simple still-life, I became interested in the proportional relationships between parts of a letter and the whole, and the rhythms found among the different forms as they appeared in arrangement.
Later on, I saw that arranging these letters produced what could be seen as new and unusual words, a lost language of "incantations". Recent works repeat letters, creating new forms and rhythms. Later works in this series are drawn from type samples – raised letters on their characteristic blocky support – and having so few samples to draw, I imagine other letterforms based on the examples I have in my possession.
All of these works play with language and its abstract relationship to reality – exploring how language changes reality, and asking how words and letters themselves change language.
Type Improvisation on n, 2017, silverpoint with white gouache on prepared paper, 10⁃x⁃10⁃inches
Type Improvisation on u, 2017, silverpoint with white gouache on prepared paper, 13⁃x⁃10⁃1/8⁃inches
Type Improvisation on G, 2017, silverpoint with white gouache on prepared paper, 9⁃1/4⁃x⁃13⁃3/4⁃inches
Type Improvisation on f, 2017, silverpoint with white gouache on prepared paper, 10⁃3/4⁃x⁃11⁃7/8⁃inches
Cube³, 2016, silverpoint with white gouache on prepared paper, 16⁃x⁃16⁃inches
Z Ring, 2015, silverpoint with white gouache on prepared paper, 12⁃1/4⁃x⁃14⁃inches. Private collection.
D-Tower, 2012, silverpoint on prepared paper, 15⁃x⁃12⁃inches
MMMMMMM, 2012, silverpoint on prepared paper, 12⁃x⁃24⁃inches
Four D, 2011, silverpoint with white gouache on prepared paper, 12⁃x⁃13⁃inches
HERUM, 2006, silverpoint with white gouache on prepared paper, 10⁃x⁃20⁃inches
OU, 2010, silverpoint with white gouache on prepared paper, 12⁃x⁃9⁃inches
UR, 2006, silverpoint on prepared paper, 10⁃x⁃12⁃inches